Using the Tonegen 1259 woofer as used in NHT's 3.3
Speaker system,
and their SW3p Subwoofer. The Subwoofers
pictured here are
powered by KG-5230 "plate" amplifiers.
These were purchased from: http://www.madisound.com
Note: For more information on the NHT 1259 Driver, click on the
image above.
The T/S parameters for the driver were supplied by
the NHT factory.
The pair I bought were measured by LMS in LEAP.
A comparison of these appears below.
Parameter Factory Driver # 1 Driver # 2
| Re Ohms |
|
3.56 | 3.69 |
| Fs Hertz | 19 | 20.0456 | 20.5348 |
| SPL Watt/m db | 90* | 85.8072** | 86.3697** |
| Qms | 2.6 | 2.8672 | 2.8711 |
| Qes | 0.56 | 0.6066 | 0.6683 |
| Qts | 0.46 | 0.5007 | 0.5421 |
| Vas Liters | 190 | 185.7999 | 216.7528 |
* = With room gain. ** = Without room gain.
Front and rear views, showing the recess for the "plate"
amplifier.
Bottom, one side and back assembled. Material is 1"
MDF.
View with top removed, showing the 1 ½" oak
"closet poles"
used for interior bracing.
¼" oak plywood has been installed on the front,
over ½" MDF, driver hole has been routed,
and back up driver mounting braces are installed.
½" MDF has been added to all sides, leaving
a ½" X ½" V groove on all edges.
When ¼" oak plywood is applied to all sides,
this will result in a ¾" X ¾" V
groove, which will be filled by ¾" quarter-round
solid oak moldings.
Solid oak moldings have been installed on all edges.
Cabinets are sanded, ready for sanding sealer.
Cabinets are finished, drivers and amplifiers have
been installed.
These cabinets are 1¾" thick, on casters, and
weigh 160 pounds each.
Connection instructions for the "plate" amplifier.
Close up of the "plate" amplifier.
Note: For more information on the "plate" amp, click on the image
above.
The following is an E-Mail addressed to the bass list on stuffing an enclosure. Ken Kantor is the former CEO & co-founder of NHT.
From: Ken Kantor
Date: 04 Apr 95 03:41:37 EDT
Subject: Stuffing Stuff
"In light of recent discussions, let me share some
thoughts regarding cabinet stuffing. I'll do this from a practical
point of view, partly because the physics side has been well articulated
by Doug. The other reason I'll stay away from theory in that, in
the matter of cabinet fill, theory has proven over the years to be of only
limited help in real-world speaker design. I'll also confine most
of my comments to issues related to sealed systems. Vented systems
do share a
few of these same issues, but really the goals and
the physics of stuffing a vented box are different.
Most professional designers would agree that practical
experience, combined with trial and error, is best way to find the optimum
stuffing material, quantity and method for a given design.
This is why good designers routinely experiment with
fill in the development of a new system, ala Vance's data cited here.
This particular information is a valid data point, but it is important
not to over-generalize. If you are designing
a system that differs substantially in shape or volume or source impedance
(passive crossover) from a known you will need to iterate for best
performance.
In my practice, adjusting the filling is the last step
in getting the bass right, and is used mostly to fine-tune the system Qtc
and resonance. As increasing amounts of polyester are added to a
sealed box, the resonance and Q gradually go down.
This can be shown mathematically to be due in roughly equal parts to the
effects of simple resistive damping and isothermal conversion. At some
point, a minimum is reached, and further material simply reverses the trend
by taking up volume. During the filling process the impedance curve
is constantly monitored, and
convergence to optimum usually takes only a short
time. Filling also has the important effect of reducing internal reflections,
to reduce standing waves and comb filtering. However, the amount of filling
has comparatively little effect on its efficacy in this regard.
[Side Note- it is a common misconception, I believe, that professional designers rely heavily on LEAP and SPICE and CALSOD to define their designs a priori. On the contrary, professional designers use these modeling tools mostly to guide and optimize revisions. Unlike DIY designs, a typical commercial 2-way will go through perhaps 3 revs of each driver, 2 to 4 box trials, and easily a dozen+ crossover changes.]
Lining the walls of a vented enclosure to reduce internal
reflections, or filling a transmission line to absorb the back wave, highly
absorptive wool or fiberglass are ideal. However, these materials will
not generally provide the desired results in a sealed system. It
is true that they will provide more reflection absorption than polyester,
but the later is quite good in this regard in the critical midrange. In
a sealed system you don't want absorption at lower frequencies anyway;
you want damping and isothermal conversion. I have tried "all-out" efforts
using fiberglass lining and
polyester fill to achieve the best of both worlds.
I found the results to offer little practical benefit over polyester alone,
but its worth looking into.
All NHT systems now use polyester fill, of one variety
or another. We used to use fiberglass in our vented designs, but
found a Danish polyester that mimicked the properties of
fiberglass very closely. I don't know if this
kind of polyester is available to hobbyists. Excluding this special
poly, there are essentially two kinds of fiber available: pillow stuffing,
and audio-spec polyester. The later type allegedly
has hollow core fibers, but I have been unable to verify this with my keen
eyesight! Sorry, but forget the pillow type. Sure, it's easy
to get. If you use enough, it will damp the
midrange, and that's better than an empty box (by a lot). But it
will have little effect on the lower frequencies.
Well, that's pretty much all I know about stuffing
speakers."
"Exact enclosure volume is not critical, and stuffing
can be added or subtracted to fine tune the response. I recommend
adjusting the stuffing by monitoring the impedance versus frequency
of the sealed box system. Add stuffing to lower
the frequency where the impedance is highest. When that impedance
peak starts to rise in frequency, you have added too much. The
NHT/SW3p uses 820g of acoustic polyester stuffing with the 1259, but your
enclosure may do better with slightly different amount."